Thursday, August 30, 2007

Marilyn Monroe Shoeer



I began this paper with the following idea: "according to the text Speer. Hitler was indeed his own art director, and the rest of the crew, as it were their personal assistants Speer, people he rapier selected as the most suitable for them to build their opulent image and wonderful, necessary to conquer the world. "I imagined this was something like Beethoven articulating its staff empty spots, thinking how it would sound the Ninth when he was finished, and as beginning with a warning and then In Crescent decrease and go up to the climax of his work, as Speer was Hitler's office and all the way preceded him.

But that thought Speer, Hitler did not, so he could not be the art director.
Nor Speer, because he was the architect.
Hitler was the director , Goebbels was the production designer Speer was set designer and the customer was the German people.
But still do not know who is the director of art.

As director asks Hitler to Speer a daunting task and virtually impossible, and immediately let him work in peace. Why? because I trusted him. It was no secret the special treatment of Hitler to Speer, condescending and comprehensive, collaborative and attentive, while Speer treated him with contempt and disdain, something not allowed Goebbels himself. Why was that? Speer because, not being the great architect of his time (he was a famous rivalry with Hermann Giesler that significantly exceeded the talent and creativity), had the profile today Wiki Directions Art raises the requirements to become art director

"Speer The best quality was his innate organizing ability, his strong will to achieve goals and his special talent by statistics. "

The truth is that since coming to the end of the paper looks good on me is not yet clear who was the art director of the Third Reich. I tend to think it was Goebbels, but I have trouble sizing how he could coordinate all aspects of the image of Hitler to be as articulate in a coherent ... How do you achieve both Speer influence of this, one of the greatest hits his career, to build a balcony in the Foreign Ministry in Berlin? It was just a coincidence that today rightly interpreted as intended or it was all carefully scheduled and calculated during the Third Reich? And who coordinated? Because if the answer is Hitler, at least I find it chilling.

Finally, something else to think about: the great characters of history have always left behind large physical works to be remembered:
Ramses made great buildings, including the largest temple in rock drilling, Abu Simbel, a series of Pharaohs built the pyramids, the Romans left temples, roads, aqueducts, Alexander the Great built Alexandria, the lighthouse and the Library, the Qin and Ming dynasties left behind the Great Wall of China, Napoleon left arches, buildings, civil code, Hitler and his team did their thing ... What great empires built work today to be remembered?

Pd: the paper I have done more dispersed.

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